Jools Holland is literally unrivalled when it comes to modern day boogie-woogie pianists.
Not simply because his astounding talent is beyond comparison, but also due the fact that he has brought the niche world of rhythm and blues to the masses – and very few can resist his infectious rhythms.
On Friday night Holland was at the Apollo with his equally talented Rythmn and Blues Orchestra for a non-stop toe tapping extravaganza of jazz, blues and swing.
Holland's quirky style and affable nature sat perfectly with the audience who were encouraged to engage in the performance as much as possible, singing along in chorus and plenty of dancing in the aisles.
Sitting on what looked like an over-turned oil can splattered in paint, he performed jaw-dropping piano solos with seemingly effortless precision.
He introduced each and every one of his musicians to rapturous applause, particularly saxophonist Derek Nash who was introduced as being on his home turf, and stepped back to give each one an opportunity in the lime light.
Famed for his collaborations, it wouldn't be an complete evening without a few guest vocalists, welcoming Rumer, Marc Almond and Ruby Turner to the stage.
But despite Almond's obvious popularity with the audience, it was the women who really wowed on the night.
Rumer, with dulcit tones reminiscent of Karen Carpenter, was the perfect fit for the slower numbers, while the powerhouse that is Ruby Turner brought down the house with her soulful renditions. It was particularly nice to hear her beautiful version of Silent Night.
Backing vocalists Mabel Ray and Louise Marshall also shone as they each took a turn at centre stage.
All four women feature on Holland's latest album, Sirens of Song, which celebrates iconic female vocalists and demonstrated with ease why they have been chosen to perform with such an talented musician.
But while Turner certainly gave Holland a run for his money, there was no doubt Jools was the star of the night - the only thing lacking was a dance floor.
