Spacemoonkey's Bootcamp, Prepare To Bleed For Victory!!!! |
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Spacemoonkey's Bootcamp, Prepare To Bleed For Victory!!!! |
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Jul 8 2013, 03:19 AM |
Welcome to SHRED BOOTCAMP! I'll be your Drill Instructor! And I do mean DRILL! As in a large power tool used in slasher films and Paul Gilbert concerts. Here is were you EARN THE LIVING DEATH out of your fingers and break through any speed bumps/barriers to become a MASTER CHIEF of Shred!
MISSON #1 THE MISSION 1.)Your mission is to go all the way back to the very start. The base of the mountain. LESSON 1. http://bitly.com/gmclesson1 Which you will play SLOWWWWWWLLY, very SLOWWWLLLLYYYY until you master it at a crawl (As You'll Do With Each Mission, and focus on left hand FORM! Make it SUPER PERFECT!). Speed it up bit by bit until you feel your ready to take it to WAR (Any speed, it's up to you) Shoot a video and post it as a reply to this post. I'll then offer a constructive and brutally honest critique. THE AFTERMATH Upon nailing the crap out of lesson one at a speed you didn't think possible, and playing it a clean as a freshly waxed floor, you will be given your first insignia of Rank in BOOTCAMP! Here is your link your personal training ground/HELL! http://bitly.com/spacemoonkeysbootcamp Practice! Todd This post has been edited by Todd Simpson: Jul 8 2013, 03:22 AM |
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Jul 9 2013, 09:23 PM |
60 bpm quarter/eighth
https://soundcloud.com/spasemoonkey/todd-01-60bpm 80 bpm quarter/eighth. Eighth notes start to suffer as seen very fast thats after kicking it up a bit and back down. I feel like I tense up with it. Edit: now that I took time away and listened I'm way off beat lol.. Playing slow is harder than I thought could be possible. Put some much needed time in and this is actually starting to feel more natural. https://soundcloud.com/spasemoonkey/todd-01-100bpm This post has been edited by SpaseMoonkey: Jul 11 2013, 11:21 AM -------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Jul 13 2013, 05:48 PM |
-------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Jul 23 2013, 09:53 PM |
Nicely done Soldier!!! I think you are more than ready for the next Mission!!!
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Aug 27 2013, 02:04 AM | ||
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Aug 27 2013, 10:46 PM |
Quick post on part 2 as I've been working on it since 1 was over just was like Hmmm is this next or no?
https://soundcloud.com/spasemoonkey/todd-02-80-bpm -------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Aug 29 2013, 02:34 AM |
You may try adding more clicks/etc in to the metronome/drum track to help tie you to the beat a tader more. I notice that your drifting just a smidge between the high hat strike. Try to place each pick strike either on an up beat or down beat, never between the beats of a given count for these workouts Make sense?
Todd Quick post on part 2 as I've been working on it since 1 was over just was like Hmmm is this next or no? https://soundcloud.com/spasemoonkey/todd-02-80-bpm |
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Aug 29 2013, 03:21 PM |
You may try adding more clicks/etc in to the metronome/drum track to help tie you to the beat a tader more. I notice that your drifting just a smidge between the high hat strike. Try to place each pick strike either on an up beat or down beat, never between the beats of a given count for these workouts Make sense? Todd Yeah makes it more accurate that way, and easier to track overall. I double the clicks to give a 120 feel on this next one so that when I do double notes I can actually be more specific on the down attack oppose to the ghost open to try and stay on track by skipping that 3rd note down. https://soundcloud.com/spasemoonkey/todd-02-60-bpm Edit: Your picking is crazy to get that tight lack of hand/pick movement is that something you have to practice just say picking or something that comes in as you play more and become more experienced? This post has been edited by SpaseMoonkey: Aug 29 2013, 04:20 PM -------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Aug 30 2013, 05:50 AM |
Thanks As for my picking technique, it's a bit of both things you mentioned. Try this tips to get you heading in the right directoin.
1.)Practice on ONE NOTE. A single note. No movement on the left hand. Play SLOWLY then bump the metronome by increments of 5bpm. 2.)PICK FROM THE WRIST (Never from the elbow) 3.)Try a SHARP pick if you are not already. 4.)Try to use 1.5mm picks at a minimum for BOOTCAMP work. 5.)Sit in proper classical position for BOOTCAMP work. 6.)Stay LOOSE. Don't let your body tense up. This takes work. 7.)Use very very short strokes. Don't let the pick go far beyond the string. Keep a very tight pattern. BTW here is a quick demo of EXAMPLE 1, MISSION 1. Watch my right hand and listen to the strikes and where they hit with the beats. Let me know if this helps Your most recent example here is better! But I think you could benefit from taking your metronome/drum click up to about 240 or even even higher. So there there are no real gaps in between clicks. That way you'll know your landing on a click. Your playing is still not quite locked in on this most recent example so there is still some work to do. The good news is I'm here for you all the way Soldier!!! Todd Yeah makes it more accurate that way, and easier to track overall. I double the clicks to give a 120 feel on this next one so that when I do double notes I can actually be more specific on the down attack oppose to the ghost open to try and stay on track by skipping that 3rd note down.
https://soundcloud.com/spasemoonkey/todd-02-60-bpm Edit: Your picking is crazy to get that tight lack of hand/pick movement is that something you have to practice just say picking or something that comes in as you play more and become more experienced? This post has been edited by Todd Simpson: Aug 30 2013, 05:53 AM |
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Aug 30 2013, 04:21 PM |
250 as you said trying to strike every note with every beat. I'm not sure but that top E string feels awkward when trying to play notes. I can do gallops kind of, but straight notes it seems weird. This post has been edited by SpaseMoonkey: Aug 30 2013, 04:22 PM -------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Sep 8 2013, 09:38 PM |
I swear this is a horrible week for recording. Webcam had to be re-installed 3 times. Then I got it recorded, but then nothing wanted to render, it felt like crashing the pc. But learned something new, don't render in Premier. So I finally got it, but I believe now I can get 720p videos! Yey! It also took awhile to get into the habit of picking as I am in this video. -------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Sep 9 2013, 11:42 PM |
Hahaha! I swore I answered this already maybe someone else asked me. Yes sir! Those are BKP Blackhawks. They made such a difference in that guitar I typically put my 7 up. I just love that S.
Also as for muting, with the curled fingers how do you really mute all the strings at the same time? Just kinda put the hand more so on the strings than I was with the open hand? I see so many guitarists play with their hands like that, felt the need to change it up. Edit: Found a bit of time, to work on a clip for ya before I head out with friends. https://soundcloud.com/spasemoonkey/todd-03-100 This post has been edited by SpaseMoonkey: Sep 10 2013, 10:35 PM -------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Sep 11 2013, 07:53 AM |
Many players will lean on their left hand to mute higher strings and right to mute low and this works fine until you start doing open string work on the G string and have two unmuted strings below. So I'd suggest focusing on keeping palm edge on the bridge. You can bend your fingers in (I do) as long as you keep your hand fairly straight.
It's un natural at first. Gripping the pick naturally wants to make the hand curl up a bit. And keep it flat for muting while alternate picking feels a bit bizarre until you get used to it and some players never do BTW: Nice clip You are "rushing" just as smidge though. E.G. playing just ahead of the beat. One easy fix is to increase the number of beats/kicks so you can lock in to each one Todd Hahaha! I swore I answered this already maybe someone else asked me. Yes sir! Those are BKP Blackhawks. They made such a difference in that guitar I typically put my 7 up. I just love that S.
Also as for muting, with the curled fingers how do you really mute all the strings at the same time? Just kinda put the hand more so on the strings than I was with the open hand? I see so many guitarists play with their hands like that, felt the need to change it up. Edit: Found a bit of time, to work on a clip for ya before I head out with friends. https://soundcloud.com/spasemoonkey/todd-03-100 This post has been edited by Todd Simpson: Sep 11 2013, 07:54 AM |
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Sep 13 2013, 06:54 PM |
https://soundcloud.com/spasemoonkey/todd-03-260bpm
I like the added clicks as you keep telling me to do till I get to something around 220+ then they seem to blend. But I learned I can slow down the track when I listen back to get a better listen for the playing. This was kind of a weird lesson I'm use to more hammer-ons than off. But this sounds much more improved over the last to my ears. Also noticed with the mute hand down and going back to curl is odd. But I am trying to also be focused on that as I think it will help. I never used the curled hand but with solos it seems like I'm causing less tension in my picking hand. -------------------- Guitars:
Ibanez S770PB (Natural Flat) , Ibanez XPT700 (Chameleon) , Sterling J Richardson Signature , Squire IV Jazz Bass (Sunburst) Gear: Neural DSP Plugins My YouTube Page. |
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Sep 13 2013, 09:17 PM |
BETTER!!!! Much better timing on this Soldier!! I can hear your strikes on top of the beat instead of before/after. Much BETTER!!!!
As for the curled hand, you can always try the GEORGE LYNCH approach and keep your fingers all straight out on your picking hand (other than the ones holding the pick) and it straightens your palm making the mute easier. However, this technique requires you tighten one part of the hand and still keep your picking finger/thumb loose so it's a bit more advanced. In the long run you have to use what works. I"m glad to hear the curl technique is reducing the tension on your picking hand!!! Getting that tension to a bare minimum is key to picking endurance. I think you are ready to LEVEL UP Soldier, give this lesson a Video and try to start single pick, then transition to double pick, then transition to Quad Pick. Slow the speed down if needed to keep it all tight. I know this is asking a TON but I"m here to make you earn it!!!! Sarge https://soundcloud.com/spasemoonkey/todd-03-260bpm I like the added clicks as you keep telling me to do till I get to something around 220+ then they seem to blend. But I learned I can slow down the track when I listen back to get a better listen for the playing. This was kind of a weird lesson I'm use to more hammer-ons than off. But this sounds much more improved over the last to my ears. Also noticed with the mute hand down and going back to curl is odd. But I am trying to also be focused on that as I think it will help. I never used the curled hand but with solos it seems like I'm causing less tension in my picking hand. |
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Jul 30 2014, 06:02 AM |
Soldier!! You are ready to give this lesson a go!!! Don't stop now! So close to Victory!!
Sarge https://soundcloud.com/spasemoonkey/todd-03-260bpm I like the added clicks as you keep telling me to do till I get to something around 220+ then they seem to blend. But I learned I can slow down the track when I listen back to get a better listen for the playing. This was kind of a weird lesson I'm use to more hammer-ons than off. But this sounds much more improved over the last to my ears. Also noticed with the mute hand down and going back to curl is odd. But I am trying to also be focused on that as I think it will help. I never used the curled hand but with solos it seems like I'm causing less tension in my picking hand. |
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Nov 12 2014, 06:45 AM |
SOLDIER!!! BACK TO THE FRONT!!!!
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